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However, now a phenomenon, a name, that is, 798, is enunciating its unequivocal answer. 798 is a new phenomenon that induces both attention and interrogation from the society. There are various angles from which it has been working. Just as the conservative camp has been criticizing it, 798 itself has been organizing activities, carrying on public discussion, digesting problems, and reflecting on the present process. Therefore, it is by spontaneous, on-process means that it operates. And some patterns of its operation should be learned. For example, in protecting old-fashioned industrial architecture, it seeks dialogue with decision-makers of city development planning, as well as with economic powers, trying to dissolve pressure among different fields and mind models. With an open attitude and an initiative to draw more audience, it has reached its own goal , in the meantime, it helps accelerate urban civilization process accommodating contemporary culture that it has been expecting all the time. Red History being Reflected North China Wireless Electronic Material Integrated Factory coded as 718 broke earth in 1954. Later on seven factories including 798, 706, 707, 718, 797, etc. were recombined into Seven Star Group, which is also called 798 Art Area locating at No. 2-4 of Jiu Xian-qiao Road, Chao Yang District of Beijing. 798 Integrated Factory is the 157th assistance project offered to China by international socialist camp at the time. And this honorable construction task was assigned to former Democratic Germany. Mobilizing experts, utilizing technology, facilities and production line, together with Chinese people, they completed this grand project which captured the attention of the whole country. Viewing from a certain angle, the residue of the innocent dream of Chinese socialist industrial construction is still reflected in 798 Art Area,. In the process of building this Art Area, there is no calculated efforts to dismantle the system or slogans of the old political time, neither is there disdain for the inefficient yet operable production line. On the contrary, old factory and new construction coexist peacefully and harmoniously. Those vastly different formations often produce mighty resonance and contradictions, the significance of which is worth our attention. A Parade of Contemporary Art Taking advantage of the transition period when China is embracing the policy of opening and reform, as well as the background when Beijing is going to host Olympic Games in 2008, 798 Art Area successfully, in its localized ways, proclaims the expressive manner of contemporary art, and displays creative individual experience in an era when a miscellany of cultures exist within only four years. There one will see the combination of traditional values and new environment, and the pursuit of trying to grasping an international language which transcends collectivism and nationalism. Da Shan-zi International Festival in 2004 and 2005 demonstrate especially the creativity and maturity of Chinese contemporary art in utilizing folk forces. 3 Rebirth of Architecture in the Name of Art 798 Art Area not only brings new artistic values to the city, but also renovates the architecture of the old factory, making it the most representative urban space of fashion. Only one year ago, there was heated disputes over whether this area should be dismantled or not. Now artists who support the preservation of the area become victors. The architectural space of the area not only accommodates the distinctive experiments by contemporary artists, but also contains extremes of time: history and future. 798 is the first exemplar of successfully preserving architecture of old factory in Beijing. Had not the old factory space been altered, its value would not have been accepted by the society. 798 has been implementing a rule in resuscitating the old architecture, which is to use new spatial concept and old construction means to remodel and invigorate the old architecture. 4. New Community Pattern? Since the factory quarter where 798 resides was originally planned by the government to develop into Electronic Industrial District, the growth of the Art Area is purely an accidental product. But this natural scenery is unexpectedly luxuriant and it tends to spread wildly. However, at a certain point, undoubtedly it is bound to collide with another value, that is, the notion of governmental planning management which manifests itself in both political Beijing and economic background. Weak and puny, the artists were not considered as a major antagonist at the beginning of the collision. However, artists seemed to reverse their role and find their position with four years’ efforts. In the course of the combating, Art Area has been representing not only a kind of new artistic form and feeling, the characteristic outcry of a whole group, a cultural event defined by time, but also a three-dimensional community model imbedded in the new state of Beijing city. Up to now, Chinese city reconstruction has been charted out by the government. Though there are criticism raised by personnel in cultural and technological field, governmental planning and executive power of the developers have not been hampered. At the moment, the objective of the government is to realize affluent society with Chinese social orientation visualized by Deng Xiao-ping and Jiang Ze-min as soon as possible. As the demands on data and speed prevail, Beijing, with its resplendent culture and tradition, has been inundated in the giant wave of striving for economic profit, achieving efficiency in traffic, as well as quantifying the production mode. The likes of 798 Art Area, which independently displays its solid feature, continuously reinforce its power in discourse, eliciting constantly the support of people from the city, therefore, is very rare. And 798 becomes a representative existence, if not a single one. It is opportune sign that 798 Art Area has been acknowledged by the government. It attests the tolerance and liberal-mindedness of Chinese modern politics, and it also demonstrates the development of urban aesthetics, that a community emphasizing reflection, discussion and communication becomes a new symbol of the city.   $%+,?_’“”Э и  Ј _ g 7 A hmіј]^_‚ŽYeё S\ЄЅЛУзуО Ч !!B"C"D"њђњђњђњђњђњысњиаиаиаиаиаиТиЖњиаиаиаиаиаиЊиаиаиаиаиаиž— h,4h,4h–<3h,4CJaJo(hŸYЊh,4CJaJo(hчwh,4CJaJo(hG•h,4CJH*aJo(h,4CJaJh,4CJaJo(hrh,4CJo( h,4CJo(hќЗh,4o( h,4o(6@i“”у х … † Ђ ^_ЂЃСТЈЉждеMNi4п р 0"їђђђђђђђъђђђђъђђђђђђђђђђђђђ & Fgd,4gd,4 & Fgd,4D"ў0"1"C"D"њњјgd,40182PА‚. 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